Tuesday, April 27, 2010

Upcoming NYC and National Wright Way Master Classes





Upcoming NYC and National Wright Way Master Classes - click on the picture above for more information about the seminar or go to http://www.wrightwaymasterclasses.com to sign up immediately.

Kind regards,

Rance Wright
Wright Way Master Classes
http://www.wrightwaymasterclasses.com

Wright Way Master Classes TESTIMONIAL by Jeffrey Stevens





If you have not been a believer of the Wright Way Master Classes NYC and NATIONAL seminars before this...well take a look at this testimonial by Jeffrey Stevens. Thank you Jeff!

Taking master classes through Rance is the BEST thing you can do for your career! In the economic situation, when even major actors with Broadway credits are having a hard time getting in front of casting directors, Rance's class afford's you that opportunity in the most invaluable way! He brings in the BEST and THE MOST influential casting directors in the industry. The platform for Rance's class allows you to get personal quality time with each casting director and build relationships with them in a way that will never happen in an EPA. Rance CARES about his students! He works SO hard to make the class beneficial to you as the actor. He even takes the time outside of class to meet with you and give feed back - on his own personal time! You won't find that ANY where else in the city. As a result of taking Rance's classes, I have snagged the attention of Tara Rubin's casting office, having been called in for Mamma Mia, Les Miserables, and Billy Elliot! I have also developed good relationships with casting directors from the Goodspeed, Pappermill, Binder Casting, Playwrights Horizen, NAMCO, and many more. Not to mention the bonus of getting to sing for MAJOR legit agents in the city! And for the price you pay, in comparison with The Network or One on One, it is a STEAL! You won't find a better price and its worth EVERY penny! For any actor looking to further their career and get feed back from the major industry professionals, there is absolutely NO better way hands down! Rance's classes pave the way for success!

Kind regards,

Rance Wright
Wright Way Master Classes
http://www.wrightwaymasterclasses.com

Tuesday, April 20, 2010

Dancers Broadway Seminar - May 10-13, 2010 or May 17-20, 2010




















Poster for new Broadway Dancers Seminar offered through Wright Way Master Classes in NYC - sign up at - http://www.wrightwaymasterclasses.com/local_schedule.php

Sunday, April 11, 2010

The Reality of Now

"It's very easy to let yourself be influenced by your past successes or failures, but neither one is significant, only the reality of the present matters." Oliver Gaag

What is the "Reality of Now"?

We have all seen the individual who stands in an audition room or in a class setting and are performing a piece of music or monologue and nothing is going on with their body or the eyes. And then observe an individual who's eyes are so honest that you believe where they are and what they're saying. The difference for me in those two different examples is that one individuals believed the reality of where and who they were talking to and the other individual either didn't care or didn't do their homework oooorrrrr threw everything out the window when they walked in the room.

The "Reality of Now" is walking into the space, owning it, believing and using the current situation as part of that reality and moving forward through song or monologue and exposing that reality. This reality also shows a vulnerability that is often not available or shown in many audition settings. (Vulnerability does not mean weakness...vulnerability to me is showing honesty and opening your heart). It allows those observing your work to be let into your current experience. This to me is part of the IT factor. This to me is beautiful.

Where are you when you walk into the room or before you are performing...Where are you at in your head...be present...find the reality of what is current for you....find "The Reality of Now" for you. If your performance feels rehearsed or stale...stop...find your reality...find what is real...and start again.

There is so much more that can be discussed on this subject...so much more...but for now my invitation to you...is to find "The Reality of Now".

Kind regards,

Rance Wright
Wright Way Master Classes
http://www.wrightwaymasterclasses.com

Thursday, March 25, 2010

"Just Breathe"

"Breathe" by Faith Hill - sure it is one of the sappiest songs in American music - and sure you may find me secretly singing it in the shower every now and then - but boy the song has absolutely nothing to do with this message...however, the words - "JUST BREATHE" I find a message there for all of us.

More often then not I have found talented individuals in my classes not singing or sharing monologues with their true voice. What is that true voice? It is that voice that we naturally communicate with and the part of our voice that sits in our chest comfortably. A great way to find "that" voice is by humming in a low register before beginning any sentence (try it now). This allows us to be on the breath and begin our monologue or song within our most natural quality of voice.

To breathe or have breath in our audition pieces also means the moments we give ourselves in our scenes or songs. The moments that give these pieces their true joy and light. What is the breath within your pieces and are you breathing correctly in each moment that you share in your audition. Do your pieces breathe honesty?

In those words "Just Breathe" I love how it reminds us to just let the moment be...sit back..or forward...or sideways...but most important...JUST BREATHE in the current.

Life is not so important that you need to sweat this moment...and to be honest you will probably get a better response...if you relax and breathe.

Breathing is so important in this life (yes, I know this is obvious) but if we can apply this concept to everything we do. We will be more successful in everything we put out into this world. That goes for those friends of mine who happen to have a 9-5 job.

So I invite you to simply find your breath in your next audition and interview...and breathe with more ease when you deliver.

Kind regards,

Rance Wright
Wright Way Master Classes
http://www.wrightwaymasterclasses.com


Wednesday, March 24, 2010

The Devil Is In The Details.....

The devil is in the details.....I love this phrase!

A very dear friend of mine constantly uses this phrase when reminding me of the importance and value of knowing every detail when going in for a new job or business opportunity.

There is value in knowing everything and knowing everyone in whom you will possibly be connected to during your audition. We as performers can never be too prepared as we step into the audition room.

Such as:

1. Knowing who is behind the table. The director, choreographer, etc. and knowing even details about them, their work environment and location of which you are auditioning for.

2. Knowing the role you are auditioning for. The show, the age, the character, the background, the story that brought me to this point and what will lead me out.

3. Knowing your music. This includes style, rhythm and execution of.

4. Dressed appropriately. Time period, Age appropriate and are you comfortable.

5. Do you have two headshots and resumes with you?

6. Are we grounded and centered. I feel that no audition is ever successful if we do not find ourselves centered and grounded. This can be an easy breath exercise or stretch to relax the muscles and center our breath. Being grounded helps us find the character and reminds us that less is more.

The Devil Is In The Details can refer to so much more. Here you find some basic things to check right before you hit your next audition.

Best of luck in your next audition.

Kind regards,

Rance Wright
Wright Way Master Classes
http://www.wrightwaymasterclasses.com

Thursday, March 11, 2010

Your Calling Card (Headshot)

Today I would like to discuss the value of your first impression and I am not talking about what you are wearing or how your hair looks. I would like to discuss the value of your headshot.

In New York City as well as across the country I am shocked at what is being considered appropriate for a headshot. My friends this is not anything that you can take lightly. Your headshot many times is your ticket or your calling card to get YOU in front of those who matter. A headshot does not only share who you are it states so much more.

A headshot answers the following questions:

1. Your Age Range
2. Your Maturity Level
3. Your Professionalism
4. Your Type
5. Your Sex
6. And Hopefully Your Personality

It is so important that you seek out a headshot photographer that you know can get the job done. You also want to find a headshot photographer that you feel represents you as an artist and can pull out of you your true personality and colors. It is not about just having a nice picture of you that you feel you look good in.

Things you want to shine your headshot:

1. Your eyes
2. Your personality
3. Your charming looks
4. Is your joy shining through (even in a serious shot)
5. Are you engaged in the picture
6. Would your headshot make those behind the table say: "Yes, we want to work with that person".
7. Your shot is clean, clear and crisp
8. Colors (try and stay clear of black or white shirts)

It is not OK for you just to have your parent, friend or neighbor take your shots - spend the money and make sure your headshots are quality.

By making sure your headshots are quality...Casting Directors, Choreographers, Directors, etc. will take another glance and perhaps bring you in...so be smart.

If you live across the country check out The Photography Train (http://www.thephotographytrain.com) for potential upcoming stops on their travels. It is a company that brings major headshot and fashion photographers to major cities to help students and professionals get quality headshots.

Hope this helps!

Kind regards,

Rance Wright
Wright Way Master Classes
http://www.wrightwaymasterclasses.com